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RESEARCH

The Great Dutch Royalty Count

Where do the iconic Dutch hits of 1990-2010 actually live on YouTube? For each track we counted the views on channels demonstrably belonging to the artist (including official distribution) — and on channels where that cannot be demonstrated. Who earns from those views, and with whose permission, is unknown per track. That is precisely the problem.

98%
of the hits counted have views on channels not demonstrably owned by the artist
72%
of the hits: those views even make up the majority of what we found
1,0 miljard
views on channels not demonstrably owned — alongside 1,78 miljard on own/official channels

The outliers

Views rounded; sample of the 8 largest search results per track (threshold 10,000 views).

2 Brothers on the 4th Floor — Dreams (1994)
184 mln views · not demonstrably owned
8,4 mln views · own/official
The largest upload of this eurodance classic is not on a channel belonging to the group.
Tiësto — Adagio for Strings (2005)
138 mln views · not demonstrably owned
76,7 mln views · own/official
Even for a global star, hundreds of millions of views run outside their own channels.
Sidney Samson — Riverside (2009)
65,6 mln views · not demonstrably owned
0 views · own/official
A homegrown worldwide hit — and none of the major uploads demonstrably runs via the artist.
Charly Lownoise & Mental Theo — Wonderful Days (1994)
49,7 mln views · not demonstrably owned
0,5 mln views · own/official
Virtually the entire online legacy sits on third-party accounts.
Gebroeders Ko — Boten Anna (2006)
32,8 mln views · not demonstrably owned
0,4 mln views · own/official
Party repertoire is no exception: 90× more views outside the artist’s control than within it.
Lange Frans & Baas B — Het Land Van (2005)
26,2 mln views · not demonstrably owned
0,03 mln views · own/official
The Dutch hip-hop generation of the 2000s turns out to be the most poorly managed of all.
It can be done

Vengaboys: 703 million views on own/official channels — almost nothing outside them. Alice Deejay: 537 million views on own/official channels. Good management is therefore possible — which makes the contrast with the rest of the list all the more striking.

How did we count?

  • 96 iconic Dutch hits (1990-2010) across all genres: dance, hip-hop, pop, rock, Dutch-language ballads and party music.
  • For each track, the 8 largest YouTube search results via the official YouTube Data API — public metadata only, no downloads.
  • A channel counts as own/official when the channel name contains the artist name or it is an official distribution channel (e.g. "- Topic"). Everything else counts as not demonstrably owned — including labels, compilation channels and fan uploads.
  • Views below 10,000 per video were ignored; results must actually mention the artist or title.
An important caveat. This count does not claim these uploads are unlawful: some may be licensed (labels, broadcasting rights, agreements with the artist). That is exactly the point — from the outside it cannot be established who earns what, and with whose permission. Only the rightsholder can verify that. We therefore deliberately name no channels: these are signals, not proof.
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Press contact: [email protected] · Method and aggregated data available to newsrooms. YouTube metadata is retained for a maximum of 30 days in line with the YouTube API terms.
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